The group, founded in
1996 by Levent Akman (percussion, rhythm machines, toys), Murat Ertel
(saz and other strings,vocal) and Emre Onel (darbuka, sampler, vocal)
in Istanbul, was joined by Oya Erkaya (bass guitar,vocal) in 2003.
With its specifically
unique sound created by melding traditional Turkish musical instruments
with electronic elements, Baba Zula has brought a brand new dimension
to Turkish Folk Music. Baba Zula’s music is basically an amalgamation
of recorded natural sounds with both traditional and modern acoustic
and electronic musical instruments, a culmination of disparate electronic
effects. Starting out by improvisations, later fixed into musical elements
which make up their music such as theme, tune, style and sound, reached
through recordings and rehearsals, the group has carried this method
of “defined improvisation” into concerts, movies, theatrical plays,
use of video, slides and films, prepared by the additional members who
have joined forces with the core group in its live performances.
The group, which from
the very beginning has shown great interest in featuring guest musicians
and players in concerts and albums, has been accompanied by stars such
as the Thracian Selim Sesler (clarinet master), the Canadian singer
Brenna McCrimmon (specialized in Balkan folk music), Okan Özpoyraz (drummer),
Fahrettin Aykut (drummer), Tuncel Kurtiz (movie star and player), Ahmet
Ugurlu (movie star and player), Hüsnü Senlendirici (Clarinet master
from “Laço Tayfa”), Ralph Carney from San Fransisco (saxophonist) and
the diva Semiha Berksoy (first Turkish opera singer and painter).
Baba Zula’s debut album,
“ Tabutta Rovasata = Somersault in the Coffin” (Ada Music), including
the original soundtrack for dervis Zaim’s first movie with the same
title about a car thief who returned the cars he stole to their owners
and fell in love with a peacock, was released in 1996. The album also
includes four songs in which the movie stars Ahmet Ugurlu, Tuncel Kurtiz
and Aysel Aydemir contribute in vocals.
Their album, “ 3 Oyundan
17 Müzik” (Doublemoon) comprising music created for the plays “ The
Little Prince” by Antoine de Saint Exupery, “ Frog Tales” by Arnold
Lobel and “ Kitchen Accidents” by Perihan Magden, was released in 1999.
Apart from a number of other artists, Ralph Carney, Brenna McCrimmon
and Selim Sesler have also taken part in this album as guest stars.
Baba Zula, who has also made the music for the film “ Renkli Türkçe
= Colored and in Turkish”, directed by Ahmet Cadirci and about a movie
mechanic falling in love with an ex-pornstar, has also taken stage in
Britain and Macedonia. Baba Zula also opened Manu Chao concert which
took place in June 2002 during Efes Pilsen Summer Festival.
Levent Akman and Murat
Ertel of Baba Zula were invited to Cologne, Germany to perform with
two German musicians Gerard Doeke and Norbert Torzik at the Mediteranneen
Film Festival on the 6th and 8th of December In April 2003, Baba Zula
did a concert at the Festival of “Printemps de Bourges” in front of
fifty thousand spectators.
Zen, Baba Zula members
former band (Levent Akman and Murat Ertel) received the “best original
score” award for “Dokuz / Nine” by Ümit Ünal at SIYAD (Turkish Cinema
Writers Association) and Ankara International Film Festival in January
2003.
Their third and latest
album “Psychebelly Dance Music released in May 2003 was mixed and mastered
by the British musician and producer Mad Professor who previously worked
with Massive Attack , The Orb, Lee Perry and alikes.
Their fourth album “
Duble Oryantal” which is released on Doublemoon Records by the end of
May 2005, is again mixed and mastered by Mad Professor The band played
at Roskilde Festival on 3rd of July, 2004.